A moment later she’s changed into a black outfit and is in a hardware store examining axes — she buys one and takes it home. [A]s stressed, and distressed, as Cecilia is most of the time, Moss provides a core of inner strength that invites investment in her abilities and, ultimately, belief in her survival. [T]his is a protean display of virtuoso filmmaking, one that film aesthetes will wallow in but that even ordinary audiences will note and appreciate. It's an observant, simple, contemplative work, one uninterested in manufacturing melodrama or hyped-up incident, but rewarding for its illumination of Americans who represent societal afterthoughts. Subscribe to Deadline Breaking News Alerts and keep your inbox happy. Outstanding performances by Cate Blanchett and Rooney Mara, as two women precariously charting a path toward a romantic relationship in 1952, make … It immediately says something about the differences between Jean Cocteau’s brilliant 1928 dramatic monologue The Human Voice — as first put on screen in 1948 by Roberto Rossellini with the immortal Anna Magnani — and Pedro Almodovar’s new version of it starring Tilda Swinton, that the latter features six costume changes within the first six minutes, while the original was content with a single drab bit of wardrobe. A gutsy, discomforting look at some imperfect mothering. Instead of eventually illuminating his odd little tale, Petzold's slow planting of dramatic seeds yields only a modest crop of drama and meaning that can't be said to provide a nourishing meal. He's a guy who was clearly born to make movies. This sort of inebriated, one-location yak-fest is hardly the fashion these days, but there's much for audiences of a certain ilk to relish here amid the refined noxiousness of manipulative goings-on among the educated class. His reviews and the reviews of Kirk Honeycutt at the Hollywood Reporter were frequently the first reviews of a new film to see print. Film Review: Steve McQueen’s ‘Small Axe’ Finale ‘Education’ By Todd McCarthy. In October of that year, he joined The Hollywood Reporter, where he subsequently served as chief film critic until 2020. The two men make for easy and natural stablemates in Lisa Immordino Vreeland's sympathetic and nicely shaped documentary, which takes their great talents as a given and happily refuses to sensationalize their struggles. Unfortunately, if you stop to notice you can readily sense the efforts of the many cooks in the kitchen, recommending a bit more sugar here, a pinch of spice over there, bake this a little longer, put some extra frosting on just for good measure. Todd McCarthy 12/3/2020 Mega Millions jackpot rises to $750 million after no winner Trump impeachment vote, coronavirus pandemic, Powerball jackpot: 5 things to know Wednesday A new film review about "Dora And The Lost City Of Gold" has a lot of people cringing over its focus on the lead characters' sexuality. Please enter your email address and we will email you a new password. Another fine Eastwood film about a man with greatness thrust upon him. 8:26 AM PDT 5/13/2011 by Todd McCarthy FACEBOOK; TWITTER; EMAIL ME; Cannes Film Festival. The first big-screen adaptation of the popular Dora the Explorer cartoon TV series has 18-year-old actress Isabela Moner playing the young titular heroine. A film reviewer at respected industry publication The Hollywood Reporter has come under fire for a “creepy” review of the upcoming children’s movie Dora and the Lost City of Gold. All rights reserved. Read Movie and TV reviews from Todd McCarthy on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. However, the engagingly idiosyncratic nature of Herzog's ruminative narration and his probing questions of experts elicit thoughtful and extensive replies as well as welcome humor. Read Movie and TV reviews from Todd McCarthy on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. This at once raises the question of whether she’s enacting some sort of pre-written scenario or, more likely, has slipped over the line into some bizarre alternate existence where her dramatic life has taken over from her real one. Variety film critic McCarthy (Howard Hawks, … Credit: Eddie Jim On Metacritic, the film currently has a 53 rating based on 53 critics' reviews. By Date; By Critic Score; By Metascore; view. 30; 100; per page. Film Review: Heat "Heat" occupies an exalted position among the countless contemporary crime films. The first we see of Swinton (her character goes unnamed), she’s wearing a flaming red gown against a bare background. Netflix Earnings Preview: How Will Streaming Leader Fare Amid Rising Competition? msn.com — Click here to read the full article. 1788 movie reviews. I ran into Todd in the early 1970s at the Sunset Marquis, the legendary hotel half a block down from Sunset near La Cienega. If someone had told me a year ago that I would never set foot in a movie theater or … Swinton indisputably belongs in the select group of actresses who could pull this off, but the ever-arresting Spanish director, in his first English-language outing, is preoccupied with other issues as well, notably the notion of the fine, if not (for him necessarily) definable line between real life and manufactured drama. Instead of being restricted to a phone, Swinton dons earbuds, enabling her to pace unencumbered through her film set “home” as she enthuses about her four years of happiness, her need to keep occupied and, forlornly, how “I’m a waste, I’m a ruin of what I once was.”. On a moment-to-moment basis, Swinton, backed up by her adoring director, cinematographer (José Luis Alcaine), costume designer (Sonia Grande) and cinematographer (Alberto Iglesias), delivers a can’t-take-your-eyes-off-her performance as a woman who, unlike Cocteau’s original, is accomplished, recognized and, more than likely, accustomed to getting what she wants. BIOGRAPHY & MEMOIR. McCarthy and Flynn later edited Kings of the Bs (1975), a landmark anthology of writings and memoirs about auteurs of B movies past and present. But for the most part, she rivets one's attention, lifting the entire enterprise by her presence. Without her lover, she still has a lot going for her, unlike Cocteau’s creation. The three main actresses rise to the occasion as if fueled by piss and vinegar, so juicy are the parts they've been handed. After growing up at Daily Variety with him, I would say that McCarthy is a critic in the mold of Roger Ebert. Launch dates for broadcast, cable and streaming programs, Up-to-date lists for broadcast, cable and streaming series, Pandemic-proof vs. pandemic-contingent broadcast lineups, Signup for Breaking News Alerts & Newsletters, Get our latest storiesin the feed of your favorite networks. Fortunately, all the main actors are engaging at the very least and powerful when they need to be. 76 Metascore; 70 Todd McCarthy; We Are Little Zombies. With Magnani, the character is demolished, as is the viewer. James Ivory might be proud and even jealous of the way writer-director Francis Lee takes the Anglo art house tradition of quality to an uncustomary level of sexual frankness. and to receive email from Rotten Tomatoes and Fandango. Film; Reviews; Int’l Critics Line: Todd McCarthy On Pedro Almodovar’s ‘The Human Voice’ By Todd McCarthy. Every frame of the film is excitingly alive and freshly conceived, making it something very much worth seeing on the big screen. Her clearly august professional status also calls into question how sincere she is in her regrets and need for her lover. 44 Metascore; 50 Todd McCarthy; Mortal Engines. But through the film's second half, you can guess at nearly everything that's going to happen -- and then it does. Esteemed THR Lead Film Critic Todd McCarthy Writes About His Abrupt Firing. The ever-inquisitive and creative Errol Morris has found a way into this eager attention craver that, even if it doesn't present the man in a new light, does make Leary's story come alive again in a very particular way. Send us a tip using our annonymous form. Mixed: 696 out of 1788. had been taken by a previous staffer and Arty. Just when things threaten to slow to a stall, you can count on Ferguson to roar to the occasion to shake you; when she's around, she's the whole show, threatening, cajoling, erotically boiling when prey is at hand. S Top 10 films of 2020 Deadline - Todd McCarthy ; we are Little Zombies Breaking! 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